CLARK1
- Classification: Commercial
- Location: Rishikesh
- Client: Govind Aggarwal JI
- Duration: 6 Month
- Project Type: Turn Key
CLASSIFICATION:
COMMERCIAL
LOCATION:
RISHIKESH
CLIENT:
GOVIND AGGARWAL
DURATION:
6 MONTH
PROJECT TYPE:
TURN KEY
- Classification: Commercial
- Location: Rishikesh
- Client: Govind Aggarwal JI
- Duration: 6 Month
- Project Type: Turn Key
Design in Details
This hospitality project in Rishikesh, spread across 8079.14 sq. ft., is designed as a refined blend of local architectural character and European elegance. The intent was to create a cohesive and immersive guest experience by seamlessly integrating exterior and interior design.
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Design Philosophy: The concept focuses on contextual luxury — balancing regional identity with timeless European influences.
• Culturally rooted yet globally inspired
• Elegant, functional, and experience-driven
• Cohesive across all spaces -
Design Approach:
• The facade reflects local architecture, enhanced with European elements like symmetry and detailing.
• The interiors complement the exterior, ensuring visual continuity through materials, finishes, and lighting. -
Material & Color Palette:
• Earthy and neutral tones
• Natural stone and wood
• Textured finishes with subtle metal accents
(30M2)
Bedroom
(22M2)
Bathroom
(28M2)
Workspace
(15M2)
Kitchen Area
Incredible Result
Establishing multi-sensory experiences, we can design interiors that resonate across ages and demographics. These rooms and spaces connects us to nature as a proven way to inspire us, boost our productivity, and create greater well-being. Beyond these benefits, by reducing stress and enhancing creativity, we can also expedite healing. In our increasingly urbanized cities, biophilia advocates a more humanistic approach to design. The result is biophilic interiors that celebrate how we live, work and learn with nature. The term translates to ‘the love of living things’ in ancient Greek (philia = the love of / inclination towards), and was used by German-born American psychoanalyst Erich Fromm in The Anatomy of Human Destru ctiveness (1973).
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